Archive for July, 2014

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Antares Auto-Tune Evo v6.0.9 AU Mac OSX

Antares Auto-Tune Evo v6.0.9 AU

MAC OSX

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Introducing Auto-Tune Evo The Next Generation of the Worldwide Standard in Professional Pitch Correction The Fastest, Easiest-To-Use, Highest-Quality Tool for Correcting Pitch Hailed as a “holy grail of recording,” by Recording magazine (and adopted worldwide as the largest-selling audio plug-in of all time), Auto-Tune corrects intonation problems in vocals or solo instruments, in real time, without distortion or artifacts, while preserving all of the expressive nuance of the original performance – with audio quality so pristine that the only difference between what goes in and what comes out is the intonation. All with a user-interface that is a model of clarity, speed and ease-of-use.

For most common pitch problems, Auto-Tune Evo’s Automatic Mode instantaneously detects the pitch of the input, identifies the closest pitch in a user-specified scale (including minor, major, chromatic and 26 historical and microtonal scales), and corrects the input pitch to match the scale pitch. A Retune Speed control lets you match the retune rate to virtually any performance style.

For meticulous tweaking, the Graphical Mode displays the performance’s detected pitch envelope and allows you to specify the desired pitch using a variety of graphics tools. This mode gives complete control over the correction or modification of the most elaborate expressive gestures.

Auto-Tune is used daily by thousands of audio professionals around the world. Whether to save studio and editing time, ease the frustration of endless retakes, to save that otherwise once-in-a-lifetime performance, or to create striking special effects, Auto-Tune Evo is the tool of choice.

 

MAC OSX

Antares Auto-Tune Evo v6.0.9 AU – Cracked (18mb)

 

Prepare to be amazed. System requirements: * A certified compatible AU host program. * Mac OS 10.4.11 or later as required by your host. * Intel only

This is a fully cracked version of Antares Autotune Evo 6.09. The iLok protection has been fully removed courtesy of matco from MacSerialJunkie. The Interlok Extensions are not required for this plugin and may be removed from you system if no other plugins or programs depend on them. This only works on Intel Macs so you’re out of luck if you are running PPC still.

Instructions:
1. Unzip
2. Copy to /Library/Audio/Plug-Ins/Components (for most software like Garageband, Logic, Soundbooth, Pro Tools, etc)
Copy to /Library/Audio/Plug-Ins/VST (for Audacity and few other programs)
I can confirm that copying to both will not give you any errors.
3. Enjoy.   

4

NI Massive v1.4.0 + 340 Banks

Native Instruments Massive v1.4.0 x86 & x64

VST VSTi AU AAX RTAS

+ 340 Banks (.nmsv .ksd)

WIN & MAC OSX

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MASSIVE is a sonic monster – the ultimate synth for basses and leads. The analog concept belies the contemporary, cutting-edge sound it generates. The high-end engine delivers pure quality, lending an undeniable virtue and character to even the most saturated of sounds. The interface is clearly laid out and easy to use, ensuring you will have MASSIVE generating earth-shuddering sounds from the very first note.

UNCOMPROMISING SOUND

This unique synthesizer has its own uncompromising character that produces the most distinctive of sounds. From the deepest low end, MASSIVE is capable of the creamiest, punchiest basses to give your tracks a solid foundation. Razor-sharp leads that cut through the mix, even with grit and dirt piled high, set MASSIVE apart among analog style soft synths. And just beneath the surface, MASSIVE’s overwhelming array of wavetable oscillators, versatile modulation options and bountiful filter and effects sections offer a sonic spectrum as broad as it is inspiring.

GOOD TO GO

On top of its 600 production-ready factory presets and multi-sounds, MASSIVE now contains the full libraries from former products ‘Massive Expansion’ 1 and 2, ‘Urban Arsenal’ 1 and 2, and ‘Massive Threat’, giving you a total of over 1300 sounds, all crafted by leading artists and sound designers.

Finding the right sound is easy. The efficient search and intuitive filter functions let you find presets according to specific characteristics and attributes – a particularly musical and intuitive approach.

CENTER STAGE

On stage, MASSIVE is sure to grab the limelight. An array of special features makes it ideal for live performances. The integrated step sequencers and effects section as well as a highly flexible modulation concept deliver the necessary versatility. All these features have been implemented with a focus on usability, with the result that MASSIVE is just as easy to use on a hectic stage as it is in the creative environment of a studio.

What’s new:
– Advanced integration in MASCHINE 2.0 host software
– Support for AAX2 – Avid’s 64-bit plug-in target for Pro Tools 11

Fixes:
– Automation data conversion from RTAS to AAX
– Changing presets via MIDI Program Change in Cubase causes CPU spikes
– LFO becomes synchronised for Unison notes even if LFO Mono is disabled
– Polyphone sound loads monophonic
– Browser response laggy
– Misc. minor fixes

INSTRUCTIONS

1.Install Massive_140_Mac.dmg
2.Copy all [k’] files to default Dir.
3.Dellete “/Library/Preferences/com.native-instruments.Massive.plist ” (for save and save as options)

Applications -> /Applications/Native instruments/Massive/
Plugins -> Plugins Dir (AU/VST/VST/)

+  340 Massive soundbanks–all in .nmsv format
Instructions on how to install the presets

WIN
NI Massive v1.4.0 & 340 Banks (.nmsv .ksd) + Crack

MAC OSX
NI Massive v1.4.0 & 340 Banks (.nmsv .ksd) + Crack

Bez tytułu bezc2a0tytuc582u
2

Native Instruments FM8 v1.3.0 + 14240 PRESETS

Native Instruments FM8 v1.3.0 + 14240 PRESETS

WIN & MAC OSX

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fm8_2_sm

Native Instruments has harnessed the power of FM synthesis. The strengths of digital are manifest in FM8’s powerful audio engine which generates breath-taking, brilliantly dynamic FM sound in pristine quality. With its emphasis on ease-of-use, the FM8 brings a high degree of simplicity to the otherwise intricate process of FM synthesis, delivering unsurpassed depth, brilliance, and dynamism. The FM8 embodies the bright, lively sound of FM synthesis. Load patches from classic FM hardware units or use the 960 presets. Innovative features raise FM based synthesis to new levels.

Version 1.3

What’s new:
– Advanced integration in MASCHINE 2.0 host software
– Support for AAX2 – Avid’s 64-bit plug-in target for Pro Tools 11

Fixes:
– Chunk re-call of certain FM8 sounds broken
– Automation data conversion problems from RTAS to AAX
– Parameters in Easy / Morph Mode not recalled correctly
– Easy / Morph page automation issues
– Crashes while deleting a point of an envelope
– Browser response laggy
– Cannot type into the microtuning preset box
– Preset name of FM matrix not updating
– Misc. minor fixes

 

WIN

Native Instruments FM8 v1.3.0 – Cracked + 14240 PRESETS

MAC OSX

Native Instruments FM8 v1.3.0 – Cracked + 14240 PRESETS

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Native Instruments Absynth 5 v5.2.0 WIN & MAC OSX

Native Instruments Absynth 5 v5.2.0 UNLOCKED

AU VST RTAS AAX APP EXE

WIN & MAC OSX

 

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 native_instruments_Absynth_5

ABSYNTH 5 is an exceptional synthesizer with unique sonic potential and 1,800 preset sounds. Its speciality is a limitless spectrum of unusual, evolving sounds created using the powerful, hybrid synthesis architecture and sophisticated modulation and effect system – resulting in sounds far removed from the everyday. What’s more ABSYNTH 5 is not just a synthesizer, but a powerful effect plug-in for treating audio tracks using the unique ABSYNTH 5 effects bank.

Top Features

•Forward-looking semi-modular synthesizer with unique sonic characteristics
•Innovative and unique sound generation from multiple synthesis and sampling methods
•Powerful filters and effects section with new tools such as special Aetherizer, Cloud •Filter and Supercomb
•New Sound Mutator for creating fresh sounds through the mutation of the qualities of several ABSYNTH sounds
•Flexible 68-stage envelopes with presets, envelope-step mode and Tempo sync
•Sophisticated surround sound panning to animate three-dimensional sounds or even individual sound components
•Live-input for each channel and new audio modulator section for using ABSYNTH as a fully functional effects unit
•Pro Sound individually assigned macro controls for quick changing of several sound settings with a single knob

PLATFORM :
WiN32 – EXE / VST / RTAS / AAX, WiN64 – EXE / VST / AAX
MAC OSX – APP / AU / VST / RTAS

LANGUAGE : ENGLiSH, FRENCH, GERMAN, JAPANESE, SPANiSH

 

WINDOWS

Native Instruments Absynth 5 v5.2.0 – Cracked

 

MAC OSX

Native Instruments Absynth 5 v5.2.0 – Cracked

Native Instruments Absynth 5 v5.2.0
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Native Instruments Battery 4 v4.1.2 WIN/OSX

Native Instruments Battery 4 v4.1.2 AU VST

WIN & MAC OSX

NI_Battery_4_Packshot copy

NI-Battery4_StackLayer1

NI-Battery4_Setup

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bat mac

BATTERY 4 is the cutting-edge drum sampler designed for the 21st century. It combines a supercharged library, tailor-made for electronic and hip hop music, with a radically-intuitive workflow that keeps the focus on creativity. Instantly find and arrange sounds with a new, tag-based browser, and route powerful new effects with drag-and-drop simplicity. With a clear, compelling interface that puts incredible power at your fingertips, BATTERY 4 launches drum sampling into the future.
Version 4.1.0
– Added support for Avid Audio eXtension (AAX Native 64 bit)
– Advanced integration in MASCHINE 2.0 host software
– Insert Effect Power Buttons now automatable
– Fixed problems with Output configuration recall in certain
situations
Version 4.1.1
– Fixed crash when adding two or more user library paths
– Fixed redraw error when collapsing Browser in VST and AAX
– Fixed issue with advanced integration in MASCHINE 2.0 host
software
– Fixed different smaller issues

Version 4.1.2
– Added a batch-resave feature to convert BATTERY 2 and 3 kits into BATTERY 4 Format, making them available for the BATTERY 4 and MASCHINE 2 library browsers. Batch-resave is available as a menu option under tools in the standalone version.
– Fixed an issue where the BATTERY 4 LIBRARY could not be relocated after being moved.

WINDOWS

Native Instruments Battery 4 v4.1.2 – Cracked

MAC OSX

Native Instruments Battery 4 v4.1.2 – Cracked

2

Native Instruments Maschine v2.1.0 WiN/MAC

Native Instruments Maschine v2.1.0

WiN & Mac OSX

images

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Create tight rhythms, harmonies and melodies in moments with MASCHINE – the groundbreaking instrument that combines a pattern-based sequencer, professional sampler, multi-effect unit and VST/AU plug-in host with tactile control. Experience a fully creative workflow with the integrated hardware/software system, combining the flexibility of computer-based music production with straightforward, two-handed control for composing, performing, browsing, sampling, slicing, sound-shaping and tweaking effects.

WiN

Native Instruments Maschine v2.1.0 – Cracked

Mac OSX

Native Instruments Maschine v2.1.0 – Cracked

0

Native Instruments Razor v1.5.0 WIN/OSX

Native Instruments Razor v1.5.0

WIN & MAC OSX

images1

 ni_razor

ULTRA-SHARP SYNTHESIZER
The groundbreaking additive synthesis powerhouse, RAZOR delivers powerful sound and cutting edge sonic control.

INNOVATIVE, ADDITIVE
At the vanguard of additive synthesis, RAZOR delivers character like no other. Discover cutting edge sound design with unparalleled dynamics and a precise sound identity suited to tense basses, bristling leads and shifting, sci-fi soundscapes. Created by maverick Berlin producer Errorsmith in partnership with Native Instruments, RAZOR’s approach to additive synthesis is pragmatic and musical – providing detailed control without sacrificing usability.So shake off the virtual analog dust – go additive and sharpen your studio cuts with RAZOR.

THE SOUND OF ADDITIVE SYNTHESIS
In additive synthesis, the sound is constructed from partials – single sine waves firing in parallel, changing amplitude and even frequency over time. The resulting sound remains clear and precise at all times, even when heavily modulated.

RAZOR’s additive engine consists of up to 320 partials. Everything you hear – the filters, the stereo imaging, even the reverbs and delays are created by manipulating these individual sine waves. This gives RAZOR an up-front, high-resolution sound, unmistakably different to other software synthesizers.

Apart from outstanding sound quality, the level of control in additive synthesis provides a host of new possibilities for shaping sound. Here are some examples of what’s possible in RAZOR:

Creative filters – variable slopes and boosts
Dissonance – from modulating single partials to compressing the whole sound
Reverb per-partial – the reverb tail follows pitch
Partial panning – pan parts of the frequency spectrum separately
Complex formants – as filters and oscillators
Echo steps – create evolving echoes
Vocoder – an exceptional 34-band vocoder

DESIGNED FOR MUSICIANS
RAZOR’s interface draws on familiar concepts from ‘traditional’ synthesizers. You’ll recognize the oscillators, filter section, and many other parameters, but the options are new – the formant or the waterbed settings, for example. This combination of new and familiar makes creating sounds surprisingly simple.

RAZOR has been designed for musicians, not scientists. The entire interface is compact and focused, with a straightforward internal modulation framework and a large graphical display. When you’re creating sounds, this display provides helpful visual feedback and some beautiful 3D graphics.

MACROS FOR PERFORMANCE
A performance view provides eight macro controls, pre-mapped to filters, oscillators, modulation, and effects in each preset. Just map the macros in RAZOR to eight knobs on your controller. And when using RAZOR in MASCHINE, these macros map automatically to the eight knobs on the controller – instant, effortless hardware control.

[New Install]
1.Run our NI_InstReg tool.
2.Burn or mount the image.
3.Install.
4.Enjoy!

[Update]
1.Burn or mount the image.
2.Install the update.
3.Enjoy!

 

WIN & MAC OSX

Native Instruments Razor v1.5.0 – Cracked (97mb)

0

Native Instruments Reaktor v5.9.0 UNLOCKED WIN/OSX

Native Instruments Reaktor 5 v5.9.0 UNLOCKED

VST / RTAS / AU / AAX

WIN & MAC OSX

img-reaktor-5

  1AZjeyN

Reaktor is a completely modular, real-time sound synthesis, sampling and effects software application / plug-in. It fuses all audio applications into a single, versatile and powerful tool. Musicians, producers and sound designers are all catered to by the very broad range of instruments and sounds already included. With an open engine architecture, the potential for building your own highly individual instruments is endless.
 
Version 5.9.0
What’s new:
– Advanced integration in MASCHINE 2.0 host software
– Support for AAX2 – Avid’s 64-bit plug-in target for Pro Tools 11
– QuickBus Highlighting
– Default if Missing Property
– Show Ensemble in Finder/Explorer
– Removed limitations for several moduls (Contol Rate, Clock Type, Info Type)
– Core Quickbus highlightingFixes:
– Advanced integration in MASCHINE 2.0 host software
– Replacing actual selected sample in sampler module does crash Reaktor
– Certain WAV files can not be loaded to sample map
– Event Tables: “Backup Data with Module” doesn´t work anymore in 5.8.0
– There is no IC Send menu entry for root ensemble level
– Wrong number formatting for tune in sample map editor
– Midi clock stop command not received
– Sending program changes to Reaktor Plugin does cause serious CPU spikes
– Midi assignment for snapshot morph broken
– Crash with audio smoother calculating high numbers
– Miscellaneous bug fixes
 
======INSTALL OSX======
—Install Reaktor_5_590_Mac.dmg (dont install service center)
—delete reaktor installed plugins and Reaktor 5.app
—Copy all [K’] files to default directory
—Enjoy
 
======INSTALL WIN======
DEINSTALL previous Reaktor Installations.
IF DONE apply the included and allready unlocked Installer of NI-Reaktor v5.9.0 ( AS ADMIN ! )

 

WINDOWS x86/x64

Native Instruments Reaktor 5 v5.9.0 UNLOCKED

 

MAC OSX

Native Instruments Reaktor 5 v5.9.0 UNLOCKED

Reaktor v590 (R725)